Noelle Garcia "Doritos" 2016
New exhibitions at the Barrick Museum of Art, and early rounds of MFA exhibitions at the Donna Beam and Grant Hall Gallery, will make the second Friday of February a busy evening. The Spring Exhibition season opens February 9, 2018, from 5 – 9 p.m. "The museum and gallery spaces of the UNLV campus invite you to examine ways in which different artists have explored the intersection of identity and form."
Plural features recently donated artworks from the UNLV Marjorie Barrick Museum of Art's permanent collection that explore complex aspects of human identity through a range of traditional and unconventional media. Memory, passion, voice, excess, race, gender, and intersectionality are all brought into question as we search for ways in which a museum collection can reflect our own multifaceted understanding of what we are.
This exhibition features artwork by China Adams, Linda Alterwitz, Audrey Barcio, Tim Bavington, Elizabeth Blau, Catherine Borg, Diane Bush, Gig Depio, Andreana Donahue, Jacqueline Ehlis, Justin Favela, Ash Ferlito with Matt Taber, Noelle Garcia, Nancy Good, Maureen Halligan, Clarity Haynes, Stephen Hendee, Brent Holmes, Bobbie Ann Howell, Alexa Hoyer, Eri King, Branden Koch, Fay Ku, Wendy Kveck, Eric LoPresti, Julie Oppermann, Tom Pfannerstill, Krystal Ramirez, Kim Rugg, JK Russ, Sean Russell, Daniel Samaniego, Aaron Sheppard, Sean Slattery, Lance Smith, Brent Sommerhauser, Laurens Tan, Ryan Wallace, Mary Warner, Mikayla Whitmore, Thomas Ray Willis, Amy Yoes, and Almond Zigmund.
Mary Corey March
"Identity Tapestry" is both a portrait of a community and each individual participant. Inviting visitors to weave aspects of themselves into a participatory artwork, artist Mary Corey March gives us new insights into both ourselves and the people we see around us every day, opening our minds to reflection and healing. The 20-foot long installation, made of hand-dyed yarn, and statements of identity and lived experience that range from "I am a woman" to " I am fortunate" will join UNLV's permanent collection. This exhibition and accompanying programs are produced by the Marjorie Barrick Museum of Art and Nevada Humanities, with support from the UNLV College of Fine Arts, and the National Endowment for the Humanities.
VESSEL: Ceramics of Ancient West Mexico
"Vessel" explores the relationship between form and function through ancient West Mexican ceramics. The exhibition is organized by shape, and visitors are invited to contemplate how the form of each vessel informs both practical use and communicates ideas of power, identity, and belief.
Curated by UNLV alumni and Museum staff, Paige Bockman, M.A. Anthropology 2015.
"Red State. Blue State." on the print circuit.
After my Midway ended its run a year ago, interdisciplinary artist Clovis Blackwell asked if I would be willing to have his Los Angeles-based company, Fleur de Boom! Editions, create hand-pulled prints of an image from Bunko’s archives.
That’s a great idea, I thought, and first wondered if that would be a fitting way to offset some costs for my Thesis Exhibition in Spring 2018. Then something else came up: Winchester Cultural Center needed a sponsor of the 2017 “Life in Death” Juried Exhibition. The proceeds from print sales made it possible for PaintThisDesert and BunkoArchives to say yes on being a sponsor of art made for Clark County's Day of the Dead festival.
Over the summer Clovis and I planned for a new set of prints that will, this time, support production costs for my thesis show.
The signed and numbered prints are the BUNKO mark, and “Red State Blue State,” a piece that was written years ago and has now become a short linguistic decoder of this current political climate.
Mostly it is about making cool stuff with Clovis, an excellent printer and collaborator.
Alexa Hoyer, Suspended Circle, 2016, archival pigment print on Dibond, Tested Ground (05/26- 09/16/2017), UNLV Marjorie Barrick Museum of Art
The UNLV Marjorie Barrick Museum of Art continues its 50th anniversary programming with four summer exhibitions featuring sculpture, drawing, photography, found objects, installation, and film. They are "connected by overarching questions about our place in the physical world." The press release is after the jump.
Above: Krystal Ramirez “I Want to See More Brown Bodies” from 2017 will be reassembled at UNLV’s Barrick Museum of Art in Spring 2018.