Courtesy the artist
"Jubilation Inflation" is the Tamar Ettun's solo show at the UNLV Barrick Museum of Art, the anchor exhibition for the Second Annual College of Fine Arts Art Walk on October 12. "This is the culmination of the five years color project and the first time all four inflatables are shown together," says the artist on Facebook. "The name for the exhibition is taken from a poem [On Orange] by Rose McLarney, who wrote me this beautiful piece about orange and let us include it." At 6:30 p.m. College of Fine Arts Dean Nancy J. Uscher will toast Las Vegas arts community at The Barrick. The art walk goes on until 9 p.m. (The Beam hosts ¡Americanx!)
Photo: Jo Russ
Jo Russ "Desert Birdlife Soiree" opened at Delano Las Vegas. Her vivid collage work is now an installation that allows guests to interact in the lobby with this art-as-immersion experience. Runs through January. Instagram hashtags are #jkruss #delanoartseries #desertbirdlifesoiree
Photo: Jo Russ
The Studio at Sahara West Library is filled with works from James Stanford for "Shimmering Zen." The exhibition features his landmark digital collages that revisit neon signs and Las Vegas landmarks as a source (metaphor) of personal spirituality. Resource Magazine Online has an extensive interview with Stanford.
Los Angles media covered "The Las Vegas Portraits Project, 1 October Memorial Exhibit" at Clark County Rotunda Gallery. "Artists from America and Canada and as far away as Greece and Peru chose their subjects based on news articles and photos published after the attack." A special ceremony will be held on October 4.
Geoff Carter interviewed Justin Favela during his East Coast gallery tour. Las Vegas Weekly .
Photo: The Neon Museum.
RETNA's large-scale letterforms are one of the leave-behind murals in downtown Las Vegas. My first pass to see new murals in the Life is Beautiful footprint reveals there are not many new works. No surprise since wall space is getting scarce. If you missed it, Bordalo II was interviewed via email by the LasVegas Review Journal, and a preview at Las Vegas Weekly that later confirms two projects were down after the festival ended September 22.
Jerry Misko's new mural Casino Center and Hoover in Downtown Las Vegas. The phrase at the end is "A Place in the Sun." I am guessing that is the title of this new "Misko."
OUTSIDE LAS VEGAS
Above: Tagging with light.
- ModernMet compiled Instagram images from Burning Man 2018.
- The Nevada Museum of Art's retrospective on photographer Anne Brigman made ArtNewspaper
- "Far from the established New York design world, California became a haven for avant-garde designers, a hub of innovation in both discourse and practice." West of Modernism: California Graphic Design, 1975–95 opens at LACMA
- Ai Weiwei is in Los Angeles. The Los Angeles Times has a profile by Deborah Vankin and a review by Christopher Knight.
- The J. Paul Getty Trust now has the papers of the pioneering assemblage artist Betye Saar, and with that came the news the Getty Research Institute will begin The African American Art History Initiative - New York Times
- Grandest U.S. show to date of Victor Hugo drawings opens this week at The Hammer Museum. It has an "unprecedented" number of loans from Bibliothèque Nationale (18) and Maison de Victor Hugo (25) I Art Newspaper
- "Art, science and skateboarding were the magic combination of interests that propelled Halloran into her life as an artist." James Daichendt on artist Lia Halloran, who began her residency at Lux Art Institute I San Diego Tribune
- Jean-Michel Basquiat's life to become a Broadway musical. "The production will have access to both Jean-Michel’s art and personal archives (which is likely to make for some pretty extraordinary sets)." I ArtNet
- ArtPrize Public Projects returned for its third year.
- Dartmouth College to move a set of racially insensitive murals that offended Native American students to an off-campus storage facility I USNews
- East coast writer takes a look at street art murals in Curaçao 'cause the weather is warmer there. I Forbes
- You have seen it, but here it is again. Brett Kavanaugh Senate testimony was mash-upped with Jules pre-hit speech in "Pulp Fiction." Samuel Jackson approved.
As seen on instagram. When critiquing a project using street art themes you must bring in qualified vandals. Sage Sage and Shawn Gatlin came to my 2D Basic class at UNLV to see student work that are a response to campus safety (and a few other topics). The work will seen during UNLV College of Fine Arts Annual Art Walk in undisclosed locations.
Directed by Rudy Valdez
Los Angeles Premiere at LALIFF 2018
By María Margarita López
On opening night of LALIFF, director Rudy Valdez took the audience on an emotional journey. The first time filmmaker’s feature debut, “The Sentence,” is a deeply personal documentary about his sister, Cindy Shank, and the impact a 15-year prison sentence had on her family; husband Adam and their three daughters, four-year-old Autumn, two-year-old Ava, and newborn Annalis.
The film begins with home movies that were made to record key moments so Cindy could see what she missed in her daughters’ lives while she was in federal prison. These moments turn into a story that resonates with thousands of families across the U.S. who are affected by “the girlfriend problem,” a term that refers to Reagan-era mandatory minimum sentencing laws that restricted the judge’s ability to use discretion in sentencing.
These laws resulted in harsher sentences for women who were convicted of conspiracy and imprisoned for crimes committed by their boyfriends. Between 1980 and 2014, the United States realized a 700 percent increase in the number of women behind bars, according to the non-profit The Sentencing Project, some of the data the filmmaker found during rigorous research. The minimum sentence was 15 years.
Cindy’s case was not unusual. For many women it did not matter to the courts if they’d turned their lives around. Cindy paid the price for her deceased ex-boyfriend’s crimes and the film takes her personal story and creates a window into broader issues including the effects of mass incarcerations, the prison industrial complex, and the hurdles involved in getting a sentence commuted.
In the hands of Valdez, the doc also delivers a story of love. It is moving to see how daughters miss a mother, and the lengths a family goes to in order to maintain ties across time and distance.
Director Valdez does not sugar coat difficult issues, but respects his subject’s willingness to participate. (No other director would have been able to achieve this level of trust from these subjects). His nieces’ raw emotions hit the audience with full force, as does the candor from the rest of his family. Valdez accomplishes much as a one-man crew, first starting to film with consumer-grade phones and cameras, then moving his way up to robust Canon equipment by the end of the decade.
Valdez’ evolution as a filmmaker parallels his growth as an advocate for his sister’s clemency. He organically informs the audience of the laws, policies and technicalities underlying his argument this is unjust sentencing. Neither Cindy nor the film makes excuses for why she is serving time, but the facts presented in this emotional story, and watching those girls grow up without their mother, calls into question if $64 billion a year on the warehousing of inmates under these laws is money wisely spent.
“The Sentence” will be released by HBO later this year.
María Margarita López is film producer and co-founder of AjuuaEntertainment. She is based in Los Angeles.
"Double Negative" by Michael Heizer Resti/Flikcr
FIELD NOTES: KNPR's State of Nevada speaks with Dana Goodyear about "The Earth Mover: Michael Heizer's vast desert sculpture nearly killed him. Now it's nearly complete," her elegant profile on Land Artist Michael Heizer for the August 29 issue of New Yorker magazine. In the interview Goodyear reminds us that Heizer's dedication to "City" and other works has not been child's play in the desert. "As strong as his relationships were, they weree often sacrificed to the sculpture itself." The writer spoke to Heizer when he was in New York and has been at "City" twice.
"Michael Heizer, The Earth Mover" KNPR State Of Nevada
“Through the Muddy”
480” x 144”
Oil on Canvas 2018
An Online Arts Journal
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