BACK TO SCHOOL: Erin Cosgrove’s Urfathrer Adams has eyes on a UNLV history of photography class at the Marjorie Barrick Museum. It is the first week of the 2016 fall semester and the current exhibition, FIVE, closes September 10. The gallery was quickly put to use as an art laboratory. It helps to hear about the work, and it becomes a refresher how to rethink art works, said Lauren Vaccaro, a senior majoring in Art History. “It’s also good to hear how others interpret art.”
The Las Vegas artist who did the life-size, nude statues of Trump says more will be created. He owns the mold. I Las Vegas Review Journal
SAVED MURAL: In Los Angeles, Yreina Cervantez's ‘La Ofrenda’ (1990) has been restored I SPARC
TACO PARTY: Frankly, Trump's presidential campaign can easily prompted a weekly Link + Ink dedicated to all the commentary. Below are just two from the current batch responding to Marco Gutierrez, the founder of Latinos for Trump who warned that mobile food is a threat from an "imposing" culture I NYTimes
“In the days when black-and-white photography reigned, professional colorists took on the task of creating technicolor views by meticulously painting pictures by hand.” From "When Photographs Were Colored By Hand" via Hyperallergic.
It's about time. Robert Williams, founder of Juxtapoz Magazine, has a solo show. It will be in his hometown in New Mexico, at the Center for Contemporary Arts, Sante Fe.
No beard for Bard? Shakespeare's portrait to be cleaned. May cost the playwright his facial hair, reports Daily Mail
Frieze ends its five-part series "looking back at the most significant exhibitions from the past 25 years"
Vulture sent comedian Eric André to the streets to critique New York City's public art.
Artsy offers four walking tours of New York's public art organized by neighborhood.
The NYTimes plans to kill regional art coverage.
3D is Banksy, says investigative journalist Craig Williams, who tracked a fw patterns. He makes a compelling argument that Robert “3D” Del Naja, the founding member of Massive Attack, is the elusive graffiti artist Banksy. I Daily Telegraph
Greg Gossel "I Need You!" Silkscreen ink, enamel, acrylic, and collage on canvas 65" x 57"
Arts Writer Liz Ohanesian on Corey Helford Gallery's 10th-anniversary show in Los Angeles. "It isn't a typical gallery exhibit. Think of this more like a museum exhibition, a mazelike journey through a cavernous space filled with an almost overwhelming amount of art." The show runs until September 24 I LA Weekly
Arts Council Malta is the government agency that uses street art as a teaching point, reports the NYTimes. "Most cities around the world denounce, or grudgingly tolerate, painting on public property. But on the Mediterranean island of Malta, the process is encouraged." I NYTimes
"Smartly focused and radically open-ended, the exhibition brings together a fascinating mass of data that incites — and inspires — visitors to think for themselves," writes David Pagel in "Imaginative show at the Center for Land Use Interpretation looks at how we memorialize our presidents" at the LA Times.
“Galleries find me on Instagram,” says artist Dan Lam. “They reach out to me and they ask to be a part of shows. It’s crazy. Like, you know there’s all these books out with information about how artist can make it or whatever and it doesn’t even touch on how Instagram needs to be a very crucial part of your strategy.” Art and Seek
Tony Hsieh hesitated during early negotiations for Big Rig Jig, according to a report by Kristy Totten in the Las Vegas Weekly one year ago. "Then he received this email, allegedly written by Banksy: 'I feel strongly Big Rig Jig is probably the first sculptural masterpiece of the post-industrial age and we want to exhibit it accordingly. Importance is measured in influence, and you can never be sure, but I’m confident in 20 years time Big Rig Jig will be cited by a whole new generation of artists as a touchstone in modern sculpture. It should be in every textbook of art history that covers this age and this won’t happen from photos at Burning Man alone.' "
ABOVE: Gig Depio
“Through the Muddy”
2017-18 480” x 144”
Oil on Canvas
An Online Arts Journal
February 2 – March 31, 2019
and Gallery Talk:
Sunday, February 10, 2019,
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